Daydream man

Homo Somnium- Daydream man

 Do you catch yourself daydreaming? Do you expend energy on things such as painting, writing a blog or playing golf? Things such as these we all do for many reasons. Perhaps we do it to relieve boredom or to exercise pended up energy?  From a strictly evolutionary standpoint, there would seem
to be no obvious survival benefit to it. Despite this, we as individuals spend an awful lot of time and energy imagining things, some of which never come to fruition.

http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(11)61496-7/fulltext?rss=yes&utm_source=feedblitz&utm_medium=FeedBlitzEmail&utm_content=196607&utm_campaign=0




Some say that this is a side effect of the cultural revolution ushered in by civilization. As our time was freed up from the rigors of hunting and gathering more free time could be allocated to things not directly related to our immediate survival. However, no one alive today can know for sure what the causal relationship between creativity and the rise of civilization might have  been. It would seem logical that there must have been some preexisting  semblance of the creative mind  to make the initial jump in the first place.

                          Gobekli Tepe
http://www.smithsonianmag.com/history/gobekli-tepe-the-worlds-first-temple-83613665/?no-ist

 From those dusty fragments that are available of a remote past, we must, therefore, infer what we can. Scientists and other professionals across many disciplines for many years have been doing just that. There are  many conflicting ideas, some of which that do not fit so squarely within the accepted cannon. However, with each new discovery, it is becoming more evident that complex and abstract thought far predates the onset of civilization. The question then is how long?

As we trace back our human lineage we find that some of our now extinct cousins were capable of abstract symbolic thought and perhaps even language. For example, we now know that our direct ancestor, Homo Erectus had the ability to shape his world in ways that placed him right at the top of his food chain. In many ways, he was superior to us. No one today could survive the wild as he did in direct competition with lions, hyenas, and dire wolves. Our transformation of the world has negated the need to possess such strength and guile.

http://www.latimes.com/science/sciencenow/la-sci-sn-worlds-oldest-art-shell-20141204-story.html
http://humanorigins.si.edu/evidence/human-fossils/species/homo-erectus
http://onlinelibrary.wiley.com/doi/10.1002/ajpa.10399/pdf

  The tradeoff, of course, is civilization and all that it entitles
one to. We must, however, learn to recognize the inherent fragility of this thing in which we all participate.  We do after all still possess that same problem-solving mind. To what end then will become this latest and last survivor of our genus?

As the saying goes, all good thing must come to an end. There are many species with whom we share this planet. Some of which may be in the possession of higher processes that rival our own. In our absence will one of these candidates rise to the challenge? It would seem that there would be no obvious candidates. Perhaps it is to our evolved descendants who we shall deliver this world as an inheritance?

In a future world in which sentient machines have relieved us of our toils and labors perhaps the true nature  of this daydream mind will be unleashed.  Whether or not our robot overlords may be so benevolent is another story entirely. The key to this question may ultimately rest in our ability to survive long enough for our innate creative capacity to be unleashed. It served us well enough when we dropped out of the trees onto the savanna.

The four modes 

Since before dawn of human history man, through his senses has created  imagery of himself and the spirits that populated his world.  At a lost point in history wild troupes of humans began to wander barefoot out of the wilderness for the safety of  a community.After having partially abandoning the natural  world  they then had need then to bring a sense of order or to reconcile themselves to his ever new world. There at the genesis of culture as the challenges of an changing landscape grew in complexity abstract ideas
had need to develop.











Its a difficult thing to keep one's outlook on the world fresh as it was in youth. This is why we are drawn to imagery, words, sound, and motion. The four modes to which biology translates the outside world into our thoughts from our senses. In a previous post I noted how in art  there is little hope in capturing anything close to a simulacrum of an experience. Despite this being any artists abiding dream I still believe it to be true. It however may never have been the point of art in the first place. Could it be rather the exercise itself or the discovery of a new manner of seeing to which we are moved? Serendipity or a happy accident could this be from where original thought springs forth? There an all seeing subconscious that never sleeps and a biological system sifting through reams of input are combined to create a new "vision".

Göbekli Tepe

Our ancestors looked to these four modes as a means of bringing flesh to ideas that had no natural equivalence. weather it be the beating of a drum to capture a fleeting rhythm or a line to define the  edge of a real or an imaginary form. Even it today's world where serious discourse is dominated by scientific ideas there remains a desire to pull from the realm of perception something more. So perhaps the artist as modern day shaman can lead us out of the wilderness to a new landscape.










So in this spirit I have conducted a little experiment. Please forgive me however despite my intentions I suspect the following to be a bit pretentious.

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